Gen Admission

Gen Admission has been a member of Linktree for 4 years and joined in June 2022. The social media accounts linked to from Gen Admission are: • TikTok • Spotify • LinkedIn • Email Besides social media accounts, genadmission.org has populated their site with: • Apply to volunteer for Sofar London Fringe Festival • Join Our Newsletter! 💻 • How TikTok is Writing the Rules for Emerging Artists • How TikTok Is Redefining Music Culture • Album Review: Ariana Grande’s ‘Petal’ • Ariana Grande’s Eternal Sunshine Tour Feels Like Coming Home • Florence Road: The Irish Band That Turned TikTok Virality Into a Remarkable Rock Breakthrough • The Marketing Mastery Behind Olivia Rodrigo's New Music • Who Is Amy Allen? The Songwriter Behind Your Favourite Pop Hits • Women Are Headlining • In Support of the Supporting Act • The first summer since brat summer. So what actually remains? • Artist Spotlight: Liv Romano and her Fairy Folk Pond • It Gets So Hot with MUNA in London • The Tiny Desk Effect: The Rise of Intimate Pop • The Art of Features on Songs • Noah Kahan’s The Great Divide: You Will Be Sad This Summer (and Long After) • Review: ‘Michael’ Biopic - The Life of a Global Cultural Icon • Louis Tomlinson closes European Tour with career-best performance at the O2 • Shabang 2026: Five Takeaways from a One-of-a-Kind Festival • The Real Cost of Being An Independent Artist • What RAYE’s music reveals about today’s music landscape • Who is Audrey Hobert? The rising indie-pop star daring us to embrace the weird and wonderful • The Black Keys’ Unveil All-Covers Album, Peaches! • Industry & Creativity: Think Like Pharrell • Miley Cyrus’s ‘Hannahversary’: The Reunion We All Needed • Album Review: Tiffany Day releases her sophomore album Halo • Career Journey: From Flyering Gigs to Global Deals with Isabella Perilla Espinosa • Borderless, Not Rootless: The Rise of Third Culture Pop • Concert Review: BENEE in Nashville, Tennessee • The Rise and Relevance of Billie Eilish: An Authenticity-Driven Marketing Strategy • From Hannah Montana to Hilary Duff: The Power of Nostalgia in Music Marketing • Where Have All The Angry Girls Gone? • Andalucia: IV of Spades’ On Love and Longing • Review: Lana Del Rey’s ‘White Feather Hawk Tail Deer Hunter’ • Why Is Everyone Talking About The Khia Asylum? • Megan Moroney’s Cloud 9: Gen Z Is Waiting for the Other Shoe to Drop • Career Journey: On the Importance of Creating Community alongside a Career. • Music around the Globe: Valence • You Had to Be There: FOMO and the New Pop Spectacle • Obligation vs Art: Does Lana Del Rey Owe Fans An Album? • We Declared Charlie Puth Should Be A Bigger Artist • The Domestication of Music Criticism • Career Journey: How To Work In Live Music with Sophia Olson • Early Contenders for Song of the Summer 2026 (and What To Do if One Does Not Reign Supreme) • Brent Faiyaz Is Giving Us Butterflies with his Junior Album Icon • “It’s Never Black and White. It’s Always Grey”: Inside Novulent’s Cinematic Coming of Age on VOL. 3 • Come One, Come All! to Haute & Freddy’s Pop Carnival • Artist Spotlight: Diana Silvers • A License To Believe: AI & The Individual Voice • Extra, Extra, Read All About It: Malcolm Todd @ Pitchfork • Lyrics vs Melody: Why Some Songs Stick and Others Don’t • The Life of a Showgirl: Gloriously Misunderstood, by Fans and Taylor Swift Alike • Introducing BJRNCK: The Voice Of A New Generation Of R&B • Concert Review: Tate McRae’s “Miss Possessive Tour” • GA presents New Music Friday • ✨ women in music ✨ • hyperpop 101 • GA's Gaylist 🏳️‍🌈 • RESUME REVIEWS 📝 SUBMIT HERE • LONDON MEETUP - RSVP NOW 🍕 • WRITE FOR US! 📝 Applications Open Until June 10th! • SONY MUSIC UK INTERNSHIPS - APPLICATIONS OPEN ✨🎼 • Fundraising Manager • Projects Manager • Social Media Coordinator • Assistant Editor • Concert Photographer