@thefword__uk

thefword__uk has been a member of Linktree for 6 years and joined in March 2020. The social media accounts linked to from thefword__uk are: • Facebook • Instagram • LinkedIn • Email • X Besides social media accounts, thefword__uk has populated their site with: • Celebrating International Asexuality Day 2022! • Solidarity with Palestine - why the struggle for Palestinian liberation is a feminist issue • The F-Word weekly round-up and open thread: 28 February • 10 books to give young feminists on International Book Giving Day • The F-Word stage blog: February 2022 • The F-Word weekly round-up and open thread for 20th December • The disturbing rise of pronatalist policies – and what this means for reproductive rights • National Poetry Day 2021: four poems about abortion to celebrate the theme "Choice" • BFI Flare: Cowboys • A sparklingly intelligent debut (Review of Detransition, Baby) • March fiction round-up • A toolkit for emotional heaviness • Are you rich enough to work? • With Malcolm & Marie, nothing is black and white • The complexities of consent: a review of 'Tomorrow sex will be good again' by Katherine Angel • Interview with Lucy O'Brien: “The future of music lies with trans and non-binary people” • Viv Gordon: "We didn't do anything wrong. For me it was a massive turning point to realise that." • Black History Month events 2020 • Beyond the Red Light • Patricia Lalor and the YouTube Algorithm • 20 book recommendations for national poetry day 2020 • What impact might restricted access to sexual health services have during and post lockdown? • Seven times the media was awesome for bisexual representation • An A-Z of UK-based feminist organizations • Write for us! • A beginner's guide to Kamala Harris • Edinburgh book festival 2020 top picks • Two feminist perspectives on the government's new obesity strategy • Awareness of femicide can save lives • Working at a tech startup as a woman of colour • Supporting women in comedy • Welcome new editors! • How one seemingly irreverent meme can help us to reimagine sexuality and gender relations • The F-Word editor rotates again • They asked me to play the maid, so I got myself on Forbes • From the Madonna to masturbation • Online activism: A philosophical perspective • The unapologetic queerness of She-Ra • The Great paints an eerie picture of modern Britain • Bringing the mother of the Gorgons onto the streets of Europe • Interview with Tori Allen-Martin and Sarah Henley about Burn Bright • The F-Word’s suggested list of BLM reading and resources • The paradox of Priti Patel • “Hollywood” is not for straight white people: deal with it • Sexuality, power and social justice in the #MeToo era • The end of the chick flick • Weekly round-up and open thread, 18 May 2020 • Normal people • Lovelorn in Lockdown • The F-Word stage blog: May 2020 • Did yet another movie forget about intersectionality? • We can’t let coronavirus become the latest excuse for men who commit domestic violence • Weekly round-up and open thread, 5 May 2020 • Twenty years of Sofia Coppola • The implosion of the perfect mother • Weekly round-up and open thread, 27 April 2020 • Ones to watch from the Labour leadership contest • Exploring one’s complex reality • This Zoom call is full of noises, sounds, and sweet airs, that give delight and hurt not • Cinema therapy in the time of Coronavirus • Intimacy coordinators are revolutionising the way sex scenes are made • Feminism in the time of coronavirus – links to resources • Movies never gave me a language, but they gave me a look • The burning questions of Little Fires Everywhere • Saying Sorry: Review of The Apologists • Queen and Slim is no Bonnie and Clyde • Women-led work at the VAULT Festival 2020 • Disablism update • “Such women are a menace to our national standards” • Intersectional feminist icons to celebrate this International Women’s Day • Abuse is the real invisible monster, review of The Invisible Man (Leigh Whannell, 2019) • Autism in women: vulnerability and abusive relationships • If you look at me, who do I look at? review of Portrait of a Lady on Fire (Céline Sciamma, 2019) • Who's the real uncut gem? review of Uncut Gems (Josh and Benny Safdie, 2019) • Young filmmakers on body image • Gender-swapped sexism is not as edgy as it wants to be, review of Black Christmas (Sophia Takal, 2019) • Bombshell is heartbreaking old news, review of Bombshell (Jay Roach, 2020) • Unexciting casting but fabulous clothes, review of Emma (Autumn de Wilde, 2020)