A Night in Tunisia explained
| A Night in Tunisia |
| Type: | instrumental |
| Artist: | Dizzy Gillespie & His Sextet |
| Written: | 1942 |
| Recorded: | 1944 |
| Composer: |
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"A Night in Tunisia" is a musical composition written in 1942 by American trumpeter Dizzy Gillespie that has become a jazz standard.[1] Dizzy wrote it while he was playing with the Benny Carter band. The tune is also known as "Interlude".[2]
"A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added Gillespie's 1946 RCA Victor recording to the Grammy Hall of Fame.[3]
Background
Gillespie called the tune "Interlude" and said "some genius decided to call it 'A Night in Tunisia' ". According to Gillespie, he composed it at the piano at Kelly's Stables in New York. Dizzy gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song.[4]
On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can." The audience laughs, but Blakey responds, "Seriously." The liner notes say, "The sanitation department can take a low bow."
Jon Hendricks wrote the now-standard lyrics for the tune, which he performed with Lambert, Hendricks & Ross and which were also sung by Ella Fitzgerald. In 1982, Hendricks wrote a new lyric, "Another Night in Tunisia," sung by The Manhattan Transfer on their 1985 Vocalese album and by Bobby McFerrin on his 1986 album Spontaneous Inventions.[5] [6]
Analysis
The complex ostinato bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard "Alone Together", causing the V chord to lead back into the Sub V of the A section.
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
Notable recordings
Early recordings 1944–1946
- In January 1944, the Gillespie-Pettiford Quintet made a live recording of the song at the Onyx Club in New York City.[7]
- Sarah Vaughan, backed by Gillespie, recorded a vocal version of "Interlude" on 31 December 1944 which was issued on the Continental label in 1946.[8] [9]
- In January 1945, Gillespie and Pettiford made a studio recording of "Interlude (Night in Tunisia)" as part of "Boyd Raeburn and His Orchestra".[10] [11]
- A live recording of Gillespie and Charlie Parker performing the tune was made at the NYC Town Hall on 22 June 1945.[12]
- Gillespie’s studio recording of 22 February 1946, for RCA Victor, was inducted into the Grammy Hall of Fame in 2004. The personnel included Don Byas, Milt Jackson, Al Haig, Bill DeArango, J.C. Heard, and Ray Brown.[13]
- Parker’s recording of 28 March 1946, for Dial Records, features Miles Davis on trumpet and includes the "famous alto break" that became synonymous with Parker. (Parker's composition "Ornithology" is on the B side.)[14]
Cover versions
Notes and References
- https://www.kuvo.org/stories-of-standards-night-in-tunisia-by-dizzy-gillespie/
- http://www.jazzstandards.com/compositions-0/nightintunisia.htm "Night in Tunisia"
- Web site: GRAMMY Hall of Fame. 18 October 2010.
- Book: Gillespie, Dizzy. To Be, or Not – to Bop. 14 October 2018. 2009. University of Minnesota Press . 978-0-8166-6547-1 . 171–172.
- Web site: Another Night in Tunisia. SecondHandSongs. September 23, 2024.
- Web site: Night in Tunisia (1942). Jazz Standards. September 23, 2024.
- Web site: Cover versions of Night in Tunisia by Dizzy Gillespie | SecondHandSongs. SecondHandSongs.
- Web site: Original versions of Interlude by Sarah Vaughan with Dizzy Gillespie and His Orchestra | SecondHandSongs. SecondHandSongs.
- Web site: Sarah Vaughan Discography: Early Years.
- Web site: Boyd Raeburn and His Orchestra – I Didn't Know About You / Interlude (Night in Tunisia) (1945, Shellac). Discogs. 1945 .
- Web site: Dizzy Gillespie Discography.
- Web site: Dizzy Gillespie Discography.
- Web site: Dizzy Gillespie and His Orchestra / Coleman Hawkins' 52nd Street All Stars – New 52nd Street Jazz (1946, Camden Pressing, Shellac). Discogs. 1946 .
- Web site: Charlie Parker Septet – A Night in Tunisia / Ornithology (1946, Shellac). Discogs. 1946 .
- Book: Gioia . Ted . The Jazz Standards: A Guide to the Repertoire . 2012 . Oxford University Press . New York City . 978-0-19-993739-4 . 299–300.
- Web site: Jazz . All About . 2010-11-28 . Ibrahim Maalouf: Diasporas album review @ All About Jazz . 2025-01-22 . All About Jazz . en.
- Web site: Kennelty . Greg . IMPERIAL TRIUMPHANT Streams Cover Of DIZZY GILLESPIE's "A Night In Tunisia" . Metal Injection . 12 September 2023.