| Celia Cruz | |||||
| Birth Name: | Celia Caridad Cruz Alfonso | ||||
| Birth Date: | 1925 10, df=yes | ||||
| Birth Place: | Havana, Republic of Cuba | ||||
| Death Place: | Fort Lee, New Jersey, U.S. | ||||
| Module: |
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| Years Active: | 1948â2003 | ||||
| Past Member Of: | Sonora Matancera | ||||
Celia Caridad Cruz Alfonso (21 October 1925 â 16 July 2003), known as Celia Cruz, was a Cuban singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of Spanish; Castilian: [[guaracha]]s, earning the nickname Spanish; Castilian: La Guarachera de Cuba. In the following decades, she became known internationally as the "Queen of Salsa" due to her contributions to Latin music.[1] [2] [3] She had sold over 30 million records, making her one of the best-selling Latin music artists.[4]
The artist began her career in her home country Cuba, earning recognition as a vocalist of the popular musical group Sonora Matancera, a musical association that lasted 15 years (1950â1965). Cruz mastered a wide variety of Afro-Cuban music styles including Spanish; Castilian: guaracha, rumba, afro, Spanish; Castilian: [[son cubano|son]] and bolero, recording numerous singles in these styles for Seeco Records.
In 1960, after the Cuban Revolution caused the nationalization of the music industry, Cruz left her native country, becoming one of the symbols and spokespersons of the Cuban community in exile.[5] Cruz continued her career, first in Mexico, and then in the United States, the country that she took as her definitive residence. In the 1960s, she collaborated with Tito Puente, recording her signature tune "Spanish; Castilian: Bemba colorĂĄ|italic=no". In the 1970s, she signed for Fania Records and became strongly associated with the salsa genre, releasing hits such as "Quimbara". She often appeared live with Fania All-Stars and collaborated with Johnny Pacheco and Willie ColĂłn. During the last years of her career, Cruz continued to release successful songs such as "Spanish; Castilian: [[La vida es un carnaval]]|italic=no" and "Spanish; Castilian: [[La Negra Tiene Tumbao (song)|La negra tiene tumbao]]|italic=no".[6]
Her musical legacy is made up of a total of 37 studio albums, as well as numerous live albums and collaborations. Throughout her career, she was awarded numerous prizes and distinctions, including two Grammy Awards and three Latin Grammy Awards. In addition to her prolific career in music, Cruz also made several appearances as an actress in movies and telenovelas. Her catchphrase "Spanish; Castilian: ÂĄAzĂșcar!" ("Sugar!") has become one of the most recognizable symbols of salsa music.
Celia Caridad Cruz Alfonso was born on 21 October 1925, at 47 Serrano Street in the Santos SuĂĄrez neighborhood of Havana, Cuba.[7] [8] [9] Her father, SimĂłn Cruz, was a railway stoker, and her mother, Catalina Alfonso Ramos, a housewife who took care of an extended family. Celia was one of the eldest among fourteen children living in the house, including cousins and her three siblings, Dolores, Gladys, and BĂĄrbaro,[10] [11] and she used to sing cradle songs to put them to sleep. According to her mother, she began singing as a child at 9 or 10 months of age, often in the middle of the night.[12] She also sang in school during the Fridays' Spanish; Castilian: actos cĂvicos and in her neighborhood ensemble, BotĂłn de oro.
While growing up in Cuba's diverse 1930s musical climate, Cruz listened to many musicians who influenced her adult career, including Fernando Collazo, Abelardo Barroso, Pablo Quevedo, Antonio Arcaño and Arsenio RodrĂguez. Despite her father's opposition and the fact that she was Catholic, as a child Cruz learned SanterĂa songs from her neighbor who practiced SanterĂa.[13] Cruz also studied the words to Yoruba songs with colleague Merceditas ValdĂ©s (an akpwon, a SanterĂa singer) from Cuba and later made various recordings of this religious genre, even singing backup for other akpwons like Candita Batista.
As a teenager, her aunt took her and her cousin to cabarets to sing, but her father encouraged her to attend school in the hope she would become a teacher. After high school, she attended the Normal School for Teachers in Havana with the intent of becoming a literature teacher.[14] At the time being a singer was not viewed as an entirely respectable career. However, one of her teachers told her that, as an entertainer, she could earn in one day what most Cuban teachers earned in a month. From 1947, Cruz studied music theory, voice, and piano at Havana's National Conservatory of Music.[15]
One day, her cousin took her to Havana's radio station Radio GarcĂa-Serra, where she became a contestant in the Hora del tĂ© ("Tea Time") amateur radio program. It was her first time using a microphone and she sang the tango "Nostalgia" (as a tribute to Paulina Ălvarez), winning a cake as the first prize for her performance. On other occasions she won silver chains, as well as opportunities to participate in more contests.[16] She also sang in other amateur radio programs such as Spanish; Castilian: La suprema corte del arte, broadcast by CMQ, always winning first prize. The only exception was when she competed against Vilma Valle, having to split their earnings: 25 dollars each.
In 2004, the Miami Herald revealed from partially declassified US State Department papers that Cruz had been linked to Cuba's pre-Revolution communist party, the Popular Socialist Party (PSP), as early as the 1940s.[17] The article was written by Herald journalist Carol Rosenberg from Freedom of Information Act requests. It made several revelations, among them that the US Embassy in Havana denied Cruz a US visa in 1952 and 1955 because of suspected communist affiliations. The article also states that Cruz had joined the youth wing of the PSP at age 20 and had used a concert to arrange a secret meeting with communists in South America on behalf of its then general secretary, Blas Roca CalderĂo, who had also founded the party in 1925. Cruz had also signed a public letter in support of one of the Party's front groups, the Pro-Peace Congress. The article states that Cruz's surviving husband, Pedro Knight, was asked about this, and is quoted he knew nothing about it. "She never told me about that. She never talked about politics," the article quotes Knight.[18]
Isolina Carrillo was one of the first people to recognize Cruz's ability to sing Afro-Cuban music and asked her to join her Conjunto Siboney, where Olga Guillot also sang.[19] She later joined Orquesta de Ernesto Duarte, Gloria Matancera, Sonora Caracas and Orquesta Anacaona. From 1947, she started to sing in Havana's most popular cabarets: Tropicana, Sans Souci, Bamboo, Topeka, etc. In 1948, Roderico Rodney Neyra founded the group of dancers and singers Las Mulatas de Fuego (The Fiery Mulattas).[20] [21] [22] Cruz was hired with this group as a singer, reaching great success and making presentations in Mexico and Venezuela, where she made her first recordings. Shortly thereafter, Cruz began to sing on musical programs at Radio Cadena Suaritos, along with a group that performed SanterĂa music under the direction of Obdulio Morales. With this group, known as Coro Yoruba y Tambores BatĂĄ, she made several recordings that were later released by Panart.
Cruz's big break came in 1950 when Myrta Silva, the singer with Cuba's Sonora Matancera, returned to her native Puerto Rico. Since they were in need of a new singer, the band decided to give the young Celia Cruz a chance. She auditioned in June, and at the end of July she was asked to join as lead singer,[23] and thus became the group's first black frontwoman.[24] In her first rehearsal with Sonora Matancera, Cruz met her future husband Pedro Knight, who was the band's second trumpeter.
Cruz debuted with the group on 3 August 1950. Initially, Cruz was not received with enthusiasm by the public, but Rogelio MartĂnez had faith in her. On 15 December 1950, Cruz recorded her first songs with the group, which were a resounding success. Her "musical marriage" with the Sonora Matancera lasted fifteen years. In total Celia recorded 188 songs with the Matancera, including hits such as "Cao cao manĂ picao", "Mata siguaraya", "Burundanga" and "El yerbero moderno". She won her first gold record for "Burundanga", making her first trip to the United States in 1957 to receive the award and to perform at St. Nicholas Arena, New York. During her 15 years with Sonora Matancera, she appeared in cameos in some Mexican films such as Spanish; Castilian: RincĂłn criollo (1950), Spanish; Castilian: Una gallega en La Habana (1955) and Spanish; Castilian: Amorcito corazĂłn (1961), toured all over Latin America and became a regular at the Tropicana.
Cruz was touring in Mexico when Fidel Castro seized power at the conclusion of the Cuban Revolution. She returned to Cuba to find her hometown of Havana in turmoil and mostly shut down.[25] Cruz was publicly critical of Castro, a stance that she knew would endanger her career and possibly her freedom, since other critics of the regime were regularly arrested. She also needed money to pay for her ailing mother's medical expenses, and when she was offered a contract to perform for a few months at La Terraza Nightclub in Mexico City, she accepted. Cruz left Cuba on 15 July 1960, not knowing that she would likely never return to her home country.[26]
Just one week after arriving in Mexico, Cruz received the news of the death of her father, SimĂłn Cruz. In 1961, Cruz and Sonora Matancera left Mexico for an engagement in the United States. During this period, Cruz began performing solo without the group, performing at a recital at the Hollywood Palladium in Los Angeles.
In 1962, before the refusal of the Cuban government to allow her to return to Cuba, Cruz acquired a house in Fort Lee, New Jersey. Although she tried to return to Cuba to see her sick mother, who was struggling with terminal bladder cancer, the Cuban government denied her request to return.[27] On 7 April 1962, she received the news of the death of her mother Catalina Alfonso. That same year, on 14 July, Cruz was married in civil ceremony with Pedro Knight after a romance of several years. Cruz and Sonora Matancera made their first tour outside of the Americas, visiting Europe and Japan, where they performed with Tito Puente. In 1965, Cruz would culminate a vertiginous fifteen years with the Sonora Matancera. Cruz began a solo career and her husband Pedro Knight decided to leave his position at Sonora Matancera to become her representative, arranger and personal director. During this time, Cruz became an American citizen.
In 1966, Cruz was contacted by Tito Puente to perform with his orchestra. Their first collaborative album, Spanish; Castilian: Son con guaguancĂł featured a recording of JosĂ© Claro Fumero's guaracha "Bemba colorĂĄ", which became one of Cruz's signature songs. Cruz and Puente went on to collaborate on another four albums together. She also recorded albums with other musical directors such as Memo Salamanca, Juan Bruno Tarraza and Lino FrĂas for Tico Records. In 1974, Fania Records, the leading salsa record label, acquired Tico and signed Cruz to the imprint Vaya Records, where she remained until 1992.
Cruz's association with the Fania label had begun in 1973, when she recorded the lead vocals of "Gracia divina", a song by Larry Harlow which was part of his "Latin opera" Hommy. She then joined the Fania All-Stars, a salsa supergroup featuring the most popular performers of the Fania roster. With them, Cruz first sang "Bemba colorĂĄ" and "Diosa del ritmo" in San Juan, Puerto Rico in 1973. She later travelled with the group to Kinshasa, Zaire, in 1974 and returned to San Juan in 1975 for another concert. These live recordings were commercially released years later. Her performance in Zaire, as part of The Rumble in the Jungle event, was included in the film Soul Power.[28]
Cruz recorded her first studio album for Fania in 1974 in collaboration with Johnny Pacheco, the label's founder and musical director. The album, Celia & Johnny, and its lead single, "Quimbara", were both a commercial success. In 1976, she participated in the documentary film Salsa about Latin culture, along with figures like Dolores del RĂo and Willie ColĂłn. The following year she recorded her first LP with ColĂłn, a collaboration that would be repeated with great success in 1981 and 1987. When touring with ColĂłn, Cruz wore a flamboyant costume, which included various colored wigs, tight sequined dresses, and very high heels. Her fashion style became so famous that one of them was acquired by the Smithsonian institution.[14] In the late 1970s, she participated in an Eastern Air Lines commercial in Puerto Rico, singing the catchy phrase Spanish; Castilian: ÂĄEsto sĂ es volar! (This is to truly fly!). Cruz also used to sing the identifying spot for WQBA radio station in Miami, formerly known as "La CubanĂsima": "I am the voice of Cuba, from this land, far away...I am liberty, I am WQBA, the most Cuban!" (Spanish; Castilian: Yo soy de Cuba, la voz, desde esta tierra lejana... ÂĄsoy libertad, soy WQBA, CubanĂsima!).
In 1982, Celia was reunited with the Sonora Matancera and recorded the album Spanish; Castilian: Feliz Encuentro. That year, the singer received the first tribute of her career at Madison Square Garden in New York. In 1987, Cruz performed a concert in Santa Cruz de Tenerife. That concert was recognized by the publisher of the Guinness Book of Records as the largest free-entry outdoor concert, with an audience of 250,000 people. In 1988, she participated in the feature film Salsa alongside Robby Draco Rosa. In 1990, Cruz won her first Grammy Award (Best Tropical Latin Performance) for her album Spanish; Castilian: Ritmo en el corazĂłn, recorded with Ray Barretto. She was also invited to celebrate the 65th anniversary of the Sonora Matancera in Central Park in New York. The decline of Fania's brand of Spanish; Castilian: [[salsa dura]] in favor of the emergent Spanish; Castilian: [[salsa romĂĄntica]] gradually brought an end to Celia's musical association with the Fania All Stars. Their final reunions took place in Puerto Rico (1994) and Colombia (1995), both of which were released on CD.
In 1990, Cruz managed to return to Cuba. She was invited to make a presentation at the Guantanamo Bay Naval Base. When she came out of this presentation she took a few grams of Cuban soil in a bag; at her request, this bag would later be placed in her coffin when she died. In 1994, she received the National Endowment for the Arts award from the then President Bill Clinton, which is the highest recognition granted by the United States government to an artist.[29] Having made musical presentations in Mexican and Cuban films, in 1992 Celia participated as an actress in the American film Mambo Kings, along with Armand Assante and Antonio Banderas. A year later she made her debut as a television actress in the Mexican telenovela Valentina, along with VerĂłnica Castro for the Televisa network. In 1995, Celia made a guest appearance in the American film The Perez Family, along with Alfred Molina and Anjelica Huston. In 1997, she starred again for Televisa in the Mexican telenovela Spanish; Castilian: [[El alma no tiene color]], a remake of the classic Mexican film Angelitos negros. Cruz played the role of a black woman who gives birth to a white daughter. On 25 October 1997, the city of San Francisco, California, officially declared that date as "Celia Cruz Day".
In 1998, she released the album Spanish; Castilian: Mi vida es cantar, which featured one of her most successful songs, Spanish; Castilian: [[La vida es un carnaval]]. In 1999, she performed with Luciano Pavarotti for the Pavarotti and Friends concert. In 2000, Cruz released a new album under the auspices of Sony Music, , where she recorded again with Tito Puente, who died shortly after. Thanks to this album, Cruz was awarded her first Latin Grammy. In 2001, the album Spanish; Castilian: [[Siempre viviré]] won her a second Latin Grammy. In that same year, she performed with Marc Anthony in a tribute to Aretha Franklin for VH1. In 2002, Cruz released the album, Spanish; Castilian: [[La Negra Tiene Tumbao|La negra tiene tumbao]], where she ventured into modern variants of Caribbean rhythms, influenced by rap and hip hop. For this record she won her third Latin Grammy and her second American Grammy.
On 16 July 2002, Cruz performed to a full house at the free outdoor performing arts festival Central Park SummerStage in New York City. During the performance she sang "Spanish; Castilian: [[Bemba colorå]]". A live recording of this song was subsequently made available in 2005 on a commemorative CD honoring the festival's then 20-year history entitled, "Central Park SummerStage: Live from the Heart of the City". Cruz appeared on the Dionne Warwick albums Dionne Sings Dionne and My Friends & Me with their Latin duet version of "(Do You Know The Way To) San José".
In August and September 2002, Cruz underwent surgery due to breast cancer.[30] In November that year, Cruz fell during a concert in Mexico. She was diagnosed with glioma, an aggressive form of brain cancer, and underwent surgery in December. Confident, Cruz said she did not shed one tear and that she was aiming to resume her artistic career. She finished recording her last album, Spanish; Castilian: [[Regalo del Alma]]. In February, she appeared in public again at the 45th Annual Grammy Awards to receive the award for Best Salsa Album. In March 2003, the US Hispanic network Telemundo paid tribute to her. The event, titled Spanish; Castilian: [[ÂĄCelia Cruz: AzĂșcar!]], involved figures such as Gloria Estefan, Marc Anthony, La India, Gloria Gaynor and Patti LaBelle among others.[31] [32] This was her last public appearance.
On the afternoon of 16 July 2003, Cruz died at her home in Fort Lee, New Jersey, at the age of 77. At her express wish, her mortal remains were first transferred to Miami for two days to receive the homage of her Cuban exile admirers at Gesu Church, before a funeral Mass at St. Patrick's Cathedral and burial in the Woodlawn Cemetery in The Bronx, New York.[33] [34] [35] [36] [37] An epilogue in her autobiography notes that, in accordance with her wishes, Cuban soil - which she had saved from a visit to GuantĂĄnamo Bay - was used in her entombment.[38] [39] [40]
Cruz's legacy had been honored for years before her death, including a star on the Hollywood Walk of Fame (1987), the asteroid name 5212 Celiacruz (1989),[41] the Excellence Awards at the 1990 Lo Nuestro Awards,[42] and Celia Cruz Way in Miami (1991). She was also recognized with a star on Boulevard Amador BendayĂĄn in Caracas, Venezuela, and a figure in the Hollywood Wax Museum. Besides, Cruz received three Honoris Causa doctorates from three universities in the United States: Yale University, Florida International University and the University of Miami.[43] Cruz, along with fellow Afro-Cuban musician Cachao, were inducted into the Billboard Latin Music Hall of Fame in 1994.[44] She was also inducted into the International Latin Music Hall of Fame in 1999.[45] In the same year, she was presented with the ASCAP Latin Heritage Award becoming the first recipient of the accolade.[46]
Through her work ethic, Cruz rose to great acclaim in her genre.[47] In February 2004, the release of her last album, Spanish; Castilian: [[Regalo del Alma]], resulted in Cruz winning a posthumous award at the Premios Lo Nuestro for "best salsa release of the year". It was then announced in December 2005 that a musical titled Spanish; Castilian: ÂĄAzĂșcar! would open in Tenerife before touring worldwide. The musical's name is derived from Cruz's well-known catch phrase of "ÂĄAzĂșcar!" (âSugar!â).
In 2003, a music school was opened in the Bronx, named the Celia Cruz Bronx High School of Music. Pedro Knight visited this school before his death to meet the students and share stories about her life.On June 4, 2004, the heavily Cuban-American community of Union City, New Jersey heralded its annual Cuban Day Parade by dedicating its new Celia Cruz Park (also known as Celia Cruz Plaza), which features a sidewalk star in her honor, at 31st Street and Bergenline Avenue, with Cruz's widower, Pedro Knight, present. There are four other similar dedications to Cruz around the world.[48] Cruz's star has expanded into Union City's "Walk of Fame",[49] as new marble stars are added each spring to honor Latin entertainment and media personalities, such as merengue singer JoseĂto Mateo, salsa singer La India, Cachao, Cuban tenor Beny MorĂ©,[50] Tito Puente, Spanish language television news anchor Rafael Pineda, salsa pioneer Johnny Pacheco,[51] singer/bandleader Gilberto Santa Rosa and music promoter Ralph Mercado.[52] On 18 May 2005, the National Museum of American History, administered by the Smithsonian Institution and located in Washington, D.C., opened Spanish; Castilian: "ÂĄAzĂșcar!", an exhibit celebrating the life and music of Celia Cruz. The exhibit highlights important moments in Cruz's life and career through photographs, personal documents, costumes, videos, and music. Her biography Spanish; Castilian: Celia: Mi vida was also published in 2005, based on more than 500 hours of interviews with the Mexican journalist Ana Cristina Reymundo. The journalist and TV presenter Cristina Saralegui planned to take the story of her life to the cinema and the American actress Whoopi Goldberg, admirer of the singer, expressed her interest in representing her, but the project was cancelled.[53] From 26 September 2007 to 25 May 2008, Celia, a musical based on the life of Celia Cruz, played at the Off-Broadway venue New World Stages. The show won four 2008 HOLA Awards from the Hispanic Organization of Latin Actors.[54]
On 16 March 2011, Celia Cruz was honored by the United States Postal Service with a commemorative postage stamp.[55] The Cruz stamp was one of a group of five stamps honoring Latin music greats, also including Selena, Tito Puente, Carmen Miranda, and Carlos Gardel. The Smithsonian's National Museum of American History collaborated with photographer Robert Weingarten to create an object-based portrait of Celia Cruz featuring artifacts in the museum. The portrait was unveiled on 3 October 2012.[56]
On 21 October 2013, Google honored her with a Google Doodle.[57] Jennifer Lopez honored Cruz with her presentation at the 41st American Music Awards ceremony.[58] The singers Yuri, La India, Maluma and Aymée Nuviola did the same at the Latin American Music Awards. Also in 2013, Cruz was inducted into the New Jersey Hall Fame.[57] In October 2015, Telemundo premiered an 80-episode docu-drama based on Cruz's life, Celia.[59]
In 2015, the television networks RCN Televisión and Telemundo produced the TV series Celia based on the life of Crus. Cruz was played by the actresses Jeimy Osorio and Aymée Nuviola and counted on the voice of Patty Padilla.[59] In 2019, Angélique Kidjo released a tribute album to Cruz, entitled Celia, including songs spanning all of Cruz's career reinvented with an Afrobeat feel. It features Tony Allen (musician), Meshell Ndegeocello and the Gangbé Brass Band.[60]
In 2018, a monument to Cruz was unveiled in the Cuban Heritage Park in Hialeah, Florida.[61] [62] Also in 2018, the Celia Cruz Estate launched a brand inspired by Cruz which featured merchandise inspired and about Cruz.[63]
In 2019, Chilean-American poet Marjorie Agosin created a chamber music theatre performance titled "Las MagnĂficas" (The Magnificent Ones), based on the life of Celia Cruz and Chilean singer-songwriter Violeta Parra.[64] [65]
On 2 June 2021, New York City honored Celia Cruz by co-naming the intersection of Reservoir Avenue and East 195th Street in the Kingsbridge Heights section of The Bronx, near the high school that is the named in her honor, "Celia Cruz Way".[66] [67] Los Angeles has also named the intersection of Hollywood Boulevard and Argyle Avenue after her.
In 2023, Rolling Stone ranked Cruz at No. 18 on their list of the 200 Greatest Singers of All Time.[68] In February 2023, Cruz was selected as an honoree in the 2024 American Women quarter program, making her the first Afro-Latina to appear on a U.S quarter.[69] [70]
On 21 October 2025, on what would have been Cruz's 100th birthday, a group of Cuban musicians and the US top representative to the island, Mike Hammer, paid a homage to Cruz's legacy at a Catholic church in Havana, after a planned major ceremony at a local music hall was cancelled without explanation by the government, allegedly because of Cruz being fiercely critical of the Castros.[71]
Cruz recorded with Seeco Records through 1965 and with Tico Records from 1966 through 1972. Later, she recorded with Vaya Records and with its parent company, Fania Records.
The Grammy Awards and Latin Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences and the Latin Academy of Recording Arts & Sciences respectively. Celia Cruz has received six total awards from twenty one nominations, as well as a non-competitive Lifetime Achievement award.[72]
| Year | Category | Nominated work | Result |
|---|---|---|---|
| Grammy Awards | |||
| 1979 | Eternos | Best Latin Recording | |
| 1983 | Tremendo TrĂo | Best Tropical Latin Recording | |
| 1985 | De Nuevo | ||
| 1986 | Homenaje A Beny More - Vol. III | ||
| 1987 | The Winners | ||
| 1990 | "Ritmo En El CorazĂłn" | ||
| 1992 | Tributo a Ismael Rivera | Best Tropical Latin Album | |
| 1993 | AzĂșcar Negra | ||
| 1995 | Irrepetible | Best Tropical Latin Performance | |
| 1997 | "Guantanamera" | Best Rap Performance for a Duo or Group | |
| 1998 | Mi Vida Es Cantar | Best Tropical Latin Performance | |
| 2000 | Best Salsa Album | ||
| 2002 | La Negra Tiene Tumbao | ||
| 2003 | Regalo del Alma | Best Salsa/Merengue Album | |
| 2016 | Herself | Lifetime Achievement Award | |
| Latin Grammy Awards | |||
| 2000 | Celia Cruz and Friends: A Night of Salsa | Best Salsa Album | |
| 2001 | Siempre Viveré | Best Traditional Tropical Album | |
| 2002 | "La Negra Tiene Tumbao" | Record of the Year | |
| Best Music Video | |||
| La Negra Tiene Tumbao | Album of the Year | ||
| Best Salsa Album | |||
| 2004 | Regalo del Alma | ||
