Showing posts with label Indiana. Show all posts
Showing posts with label Indiana. Show all posts

Sunday, March 23, 2008

Living, Loving Links

It’s time to give away some aloe plants again. These all came from one I got from my mom. All of hers came from her mom. I don’t know if it goes back farther than that, but for at least three generations this plant and its scions have been entwined with my family. I can remember seeing it on the family farm, Emro. I know for a fact that my brother, sister, and both aunts also have off-spring; I’m sure others, both family and friends, do as well. Its extreme fecundity has very specific characteristics; individual plants do get bigger with age, but most of their energy seems to be devoted to putting out new plants, and getting them to grow to a certain size. Not all aloes do this, I learned some years ago. I rescued another one when a roommate in Alphabet City threw it in the trash, and I immediately noticed different characteristics. It too put out little plants like the Emro aloe, but most of its energy seemed devoted to enlarging the original plant. It got bigger, each frond lengthening and widening, new fronds springing up. Had I not known the truth, I would have sworn it and the Emro plant were two different species.




Eventually I no longer had space for the big guy, so gave him to my friend Megan, where, newly christened Big Al, he has continued to grow. I helped her repot him a couple of years ago, since that is now definitely a two-person job. He dominates Megan’s living room, sitting by the TV, still grows bigger, and frankly seems to have developed an attitude. Look for Big Al on Myspace.




But back to the Emro aloes. These are not the only plants that are descendents of plants from my maternal grandmother; the boston ferns that hang in the kitchen and bathroom are too. One showers me with negative ions (the good, mood-lifting ones) when I’m at the dining table, the other does the same when I shower. At one point Tommy hid his Frodo action figure (you heard me) in the one in the shower; I was lathering up one day to realize I had a tiny little peeping Tom. "Where's Frodo?" has become a new sport.




Then there is the angel-wing begonia; it too comes from an Emro plant, and has relatives living with several of mine. Actually, since they’re all cuttings, that means they’re technically all part of the same plant, which is even cooler, don't you think? This is the plant that seemed to be at death’s door back in September. I’m cautiously optimistic these days; it’s putting out more leaves and they look healthy. I doubt it will ever regain its former glory (it was five feet tall at one point), but at least it no longer looks like a sad skeleton.




Then there are the plants who were here in the apartment when I moved in, left by the previous tenant. There was a spider plant hanging in the kitchen where the boston fern is now. Ginger told me she’d had it since college, and had brought it with her everywhere she’d lived since (no, I don't know why she left it here). Hanging in the kitchen window, it felt like it was at the center of the apartment. I began thinking of it almost as the spirit of the place. It's funny to realize it had lived here longer than me. I started calling her Grandmother Spider, in recognition of her age and prolific outgrowth. It seemed to fit. She was even more prolific than the Emro aloes; runners and plantlets spilled over the pot, cascading down the window -which faces north, by the way, on a narrow courtyard, and is not someplace I would have expected a spider plant to thrive. For a while I had two of her sons (don’t ask me why I thought they were male, but I did) hanging in the two windows of the living room (facing east, also on the courtyard). They were both smaller, springing up with a youthful vigor and a deeper green. Brian, when he lived here, found these two plants disconcerting. When they began putting out runners and baby plants, he could never quite shake the feeling that if he sat in front of the TV too long, they would end up sinking roots into his flesh.




It wasn’t long, with all three hanging plants merrily reproducing, before we were neck-deep in plantlets. Brian was sure they were going to smother us in our sleep one night, and even I began feeling a tad overwhelmed. I was able to give several away, but many more were left wanting homes; scores of them sat in water, growing roots that became increasingly entangled with one another. Eventually through a combination of give away and culling (Grandma was allowed to continue reproducing, but both the boys lost that privilege), I was able to whittle things back, finally ending up only with Grandmother Spider. She was starting to look a bit peaked by this point though, and I realized she was potbound. The repotting didn’t seem to go well, perhaps because I had to break up the ball into separate plants. She never really regained her old vigor, and just faded away. I wonder if plants can die of old age? She had to have been at least twenty, possibly thirty years old. I was sad, but frankly also a bit relieved. With her gone, I felt like yet one more significant influence of the previous tenant had been allowed to fade naturally, and I was now, almost eight years after taking over the lease, able to invite a new spirit plant into the center of my home. So that is where the second Boston fern went. At present there are no spider plants living in this apartment at all, and I’m feeling like that’s okay. If I ever feel the need for one though, I know Grandma has offspring throughout the city, in the homes of many friends. I can even say hi to one of the sons anytime I want, since he sits in a first floor window not far from my building. He is allowed to reproduce again, and seems to like the southern exposure.




The other plant I inherited with the apartment is a golden pothos. When I first moved in, two or three short cuttings of this plant were sitting in a big, heavy blue vase. I have no idea how long they had been there. They were in the office, which at the time was mostly Kurt’s domain, so I assumed they were his. (Like the plants, I inherited Kurt as a roommate, and it also worked out splendidly.) After a few years though, I began to feel badly for the cuttings, so I appropriated, potted, and moved them to the living room (which, at the time, was exclusively my domain). I don’t remember when exactly I stopped pruning it back, and tying it to a string along the wall, but I think it happened no more than five, maybe six years ago. I’d keep wrapping it around the room, if there weren’t a heating pipe in the way now that would singe it. I’m doubling it back, and giving cuttings to anyone who asks for one, as long as he or she is standing right in front of me, hand out ready to take it that instant. I can't handle the guilt of homeless plants any longer.


This scattering of green throughout my space has helped save my sanity, I have no doubt. Their calming green and reminders of older, more important rhythms is often a good wake-up call for me. I also like the feeling of connection they give me: to my grandmother, the family farm, my mom, aunts, siblings and friends across the country, even former residents -known and not- of apartment #20. I imagine a greensong linking the plants with their counterparts regardless of distance, shrinking the space between me and my loved ones, and strengthening our bonds.

Sunday, March 16, 2008

A Day Late

March 15th is my dad's birthday. Sadly I wasn't able to be there for the festivities, I wasn't even able to call during dinner as is my usual habit (fortunately everyone will be gathering at Mary's and Tony's tonight for Irish stew and twice-baked potatoes).

I can be reasonably certain how the party happened though. Dad, Mom, James, Mary and Tony all gathered in the dining room of Laceyland, joined by both the dog and the cat. Everyone held hands for silent grace, with Fang insisting she be a part of it too, so people on either side of her each took an ear. (The cat is largely uninterested in grace.)

The smells of Dad's chosen birthday meal -this year it was roast beef, mashed potatoes, and salad- wafted in from the kitchen, making mouths water (probably all seven of them; even I, who don't really eat beef any longer, would revel in the aroma.) Mom brought it out, James opened the first bottle of red wine, and everyone set to. In amongst talk of everyone's day were memories of trips taken, other occasions celebrated, a lot of wonderful meals remembered. We talk about food a lot, my family. A second bottle was probably opened, though none of them would drink much more than two glasses. We like being nicely oiled, or as my sister puts it "goofed up," but not more than that.

The volume and speed of the conversation probably rose a bit, but not to a mind-splitting degree. The lights were turned off, and Mom fetched the birthday cake. White cake, chocolate frosting, sliced bananas and frosting in between the two layers, this is Dad's favorite cake, the one fond memory he has of his mother's cooking. That wasn't really her thing. He blew out the candles (with the baby of the family turning 40 in June, any attempt to put the 'right' number of candles on the cake ceased decades ago), and Mom immediately took them off and dunked them in cold water, to save for the next birthday. Some frugal, Quaker farm-girl habits never die, but she takes the ribbing ('run! run! Get them to the sink! Aiee!') with a good nature.

The cake was sliced, tea poured, tonight the rule about seconds on dessert was relaxed, then it was time for presents. Dad has always been hard to find presents for. From what I hear, this is a condition common to dads. Not sure what the hell that is about. It's gotten worse as he and Mom have gotten older, because they need nothing now, and don't have much in the way of wants either. Even books, the fool-proof present in the past, now are chosen with greater discrimination, though the absolutely perfect ones are not by-passed. Mostly he got nice wine, cheeses, other fine comestibles, since those are always appreciated. Second cups of tea were poured, the news watched on TV, then everyone went off to his or her respective homes and evening chores. Part of what made this evening so special is the fact that it isn't that rare. Mary and Tony may not join them for dinner every night, but family meals still happen a few times a week, even if they're not always this fancy. I feel some envy at not being able to participate, but mostly I feel delighted knowing this quiet family ritual is observed so often.

I've said in other entries that trying to describe why you love a person is hard to do without sounding insipid and trite, or resorting to lists of fine qualities. I think that problem is only worsened when you're talking about a parent. I can talk about all the good I've seen Dad do in the world, as a teacher, counselor to students and colleagues, and now as clerk for The American Friends Service Committee, which has him gallivanting all over the world in his seventies, doing things we would have never imagined like going up the sides of mountains in Columbian war zones in trucks with benches bolted in the back... but this wouldn't tell you about his goofy side. I could mention that in hearing the news about Eliot Spitzer he speculated about what one would get for $4300 an hour, and decided he wouldn't settle for anything less than a trampoline and an off-stage accordian player (and comments like these from my parents have long since ceased to traumatize me, if they ever did), but that wouldn't tell you about his ferocity... I could talk about when I was a student at Dad's college, he and I frequently found ourselves going after the same administrators, so my 'teen rebellion' years got to be spent with my dad in the same trenches...but that still wouldn't give you a full picture of him. I might mention his special bond with babies and dogs, his desire to have a pet penguin and baby elephant that he would take for walks, the way he taught us to that literature and art matter in the world, but didn't let us get precious about it (In a copy of The Joy of Cooking he gave me, he quoted Bertolt Brecht, writing "First food, then rights!"), his love of Benny Goodman, Beethoven, the Beatles, Yeats, Keats, Levertov, Austen, Eliot, of dancing... okay, so I'm making that list I said I wouldn't. And I've barely scratched the surface.

Suffice it to say, I think he's been a force of love, vision, humor, and celebration in the world and he's just been a hell of a lot of fun to be around. We have had our problems, of course. Human beings will, after all, and fathers and sons may almost be required to... but in all the ways that mattered, he has always been behind me.

Below is a poem of his that I'm particularly fond of, and perhaps does a better job of showing his character than my scatter-shot approach above. If you're not familiar with the Dickinson poem he's responding to, it's included at the bottom of the entry.

Happy birthday, Dad. I love thee.






Another Slant of light


This afternoon’s sun is not yet at the horizon,
and it has bathed the unmarked snow fields
a mellow pink. The sun has set a joyful scene, dear Emily,
not like that New England winter light you praised
and mourned, a century ago.


Now more gold has
entered the light, and the snow invites us to urge
the dog’s happy leaps in and out of the drifts. Were
I not too old and stiff, too self-conscious
at looking foolish, I would make snow angels
in the trackless field or roll down the hill
below the meetinghouse. Like the dog, I would bathe
in this light, the brisk cold, the soft-tinged snow.


I hear a different heft of music, Emily,
this winter afternoon: the perfect cathedral tune,
Bach’s Toccata and Fugue in D Minor,and the triumphant last movement of St. Saens’
organ symphony. Listen to the opening bars:
dah dah dah dah / da da da da DAH! /
Da da da da, /da da da dah Dahh!
Oh hum along, Emily, wave your hands.


I always want to dance to that tune,
Emily, all around the room, though it
also makes me look foolish beyond my years.


But I don’t just hear organ music. The light
makes me imagine the dancing harpsichord
driving Artie Shaw’s Gramercy Five
on "Summit Ridge Drive" and "Back Bay Shuffle."
(A couple of Boston tunes, Emily.)


The day will darken toward more somber hues
and tones when the sun dips below the horizon,
but for now there is no heavenly hurt, no gouging
into the heart to find the meanings. It is cold, it will
grow dark, yes, as always, but now the light
is soft, golden, pink; the snow receives it as decoration,
as barrel-organ honky tonk, splashy
show-off tunes, as the body’s pleasure
in the triumphal, long-shadowed winter light...

Paul Lacey.



(258)
There's a certain Slant of light,
Winter Afternoons -
That oppresses, like the Heft
Of Cathedral Tunes

Heavenly Hurt, it gives us -
We can find no scar,
But internal difference,
Where the Meanings, are-

None may teach it -Any -
'Tis the Seal Despair -
An imperial affliction
Sent us on the Air -

When it comes, the Landscape listens
Shadows - hold their breath -
When it goes, 'tis like the Distance
On the look of Death -

Emily Dickinson 1890.

Friday, January 18, 2008

Simple Pleasures, Simple Minds

I was feeling a big glum on Tuesday afternoon, as I walked through Greenwich Village, when I realized I was close to this little tchotcke store I had explored just before Christmas.  It's the sort of place that sells Buddha piggy Banks, tiny lava laps, solar system mobiles, mood rings, that sort of thing.  I was looking for stocking stuffers for my family.  I toyed (sorry) with the idea of getting a Crazy Cat Lady action figure for my sister, since she used to joke that would be her fate.  The thing about those action figures is, after the initial chuckle, one is left with a figurine and a gazillion little pieces of plastic that have to be displayed or stored somewhere.  Maybe you put it in the bathroom so your guests can have that momentary chuckle, but if you decide to take it out of the box, everything collects dust until one of the accessories ends up under foot in the middle of the night when you're walking half-asleep to go pee.  

So I decided against the action figure.  

I did, however, decide to get my younger brother a drinking bird.  I knew about them, of course, though I couldn't tell you how or where I first learned about them.  I think I picked up on their existence through a process I call cultural osmosis.  It's why I can quote I Love Lucy episodes without having seen them.  It's how I know most of the Bible.  When a drinking bird made a cameo in a Simpson's episode, I knew enough to be amused by Homer's dim-witted delight in it. Little did I know I would share that dim-witted delight.  

On Christmas Day, James opened it, we set it up, and he thought it was cool enough.  He likes things like that.  To my surprise, however, I LOVED this bird and realized I'd have to get one for myself.  So Tuesday, needing some cheering up, I went in to the store and less than four dollars later I was already feeling more chipper.  I took it home, set it up, and my little bird, whom naturally I've named Bob*, has been drinking from his water glass ever since.  Okay that first night he stopped at some point, but I made some minor adjustments Wednesday morning at 6:30, and he's been going ever since.  It's 11pm Friday night, and he's still going.  

I can't tell you how much I adore this bird.  I can't tell you why I adore this bird.   But I really really really love this bird.  If you scroll down the photos below, then scroll back up again, you'll get a sense of what he does, but you won't get the full sensory experience that Bob provides.  There's the moment of upright stillness, when each time you're sure he's finally stopped, then begins the almost imperceptible tilt, leading into a moment of suspension just before he falls suddenly, dipping his beak in the water.  He bounces back, rocks a bit, and the whole thing starts again.  

Okay, I haven't been watching him that much, but each time I come into the kitchen, I check in on him, and when I sit writing over breakfast, he is there drinking in front of me.  Over time he shifts around the glass too, I think because the vibration of the rocking jars his feet a bit.  There's a lot to study.  

I could claim there is something meditative, almost Zen about this process, but I'm not meditating while I watch him, I'm sitting there slack-jawed and drooling while he falls, then squealing and clapping my hands like a moron when he drinks.  Ole Bob here just cracks me up, and so far, three days and counting, I haven't gotten bored with him yet.  

If only my pleasures were all this simple.  


*I'm not remotely sorry for this.  

Friday, January 04, 2008

Fun with Toys: Christmas 2007









Solstice Walk


On the solstice this year, I decided to take my old walk.   I wanted to visit some important personal sites, and do so in the order I always did as a kid. After reading Bruce Chatwin's The Songlines I wondered if this served a similar purpose in my life, but I think the concept of dinnesanchas comes much closer.  The term comes from Irish, and means something like 'the naming of place'; the idea as I understand it is that when a place has been inhabited for a long time by people with an unbroken narrative tradition, every rock, hummock, hill, stream, or creek has a name and a story.  Describing my little walk with this grand term is pompous, hanging far too much weight on it, but there is still something in the concept that resonates with me.  

I break with tradition almost immediately by starting from my sister's and brother-in-law's place, rather than my parents' home, but I realized that the distance between them never really had much of import for me.  The special places and the stories start later.  

First stop is the kicking post.  This was a gift to the college from the class of 1940, and is a simply a small menhir about my height, sitting right next to the main entrance to the campus.  I had always thought it was meant to be a way for Quaker students to vent their unseemly anger, but this time I actually read the sign posted on it, and realize that you are supposed to make a wish and kick it for good luck.  I'm somewhat surprised the class of 1940 would have been willing to offer such a superstitious, verging on pagan, monument, but I make a wish and kick the post, being something of a pagan myself.  Besides, I never turn down a chance to make a wish.      

The next stop is actually a recent addition, since my adulthood.  Boy for a trip down memory lane, I've already screwed it up.  If this were my Songlines, I'd be subject to the death penalty by now.  Okay, this stop is an enormous catalpa tree, with a trunk so wide that with our arms out-stretched my mom, dad, and I can only just barely touch fingers.  This is the tree friend my mom visits -and hugs-  each morning with the dog.  She has done so for at least twenty years, I believe.  Something about its presence calls to her, and feels welcoming.  An enormous pin oak has recently entered her life as well, but I think this catalpa is the only tree she visits every day.
Today I notice that one of its huge limbs has a bee hive in it.  It almost looks like the bulge in the branch has been created by the hive, since their entrance is right in the center of it.  It's worrisome that the bees are out and about, since it is December 23rd, but since it is almost 60 degrees F, I assume they knew what they're doing.  

I then walk along the west edge of the campus, which has a tall fence separating it from the cemetery next door.  The fence didn't completely separate the two places when I was a kid and college student; lots of students used to go study in the beautiful surroundings.  There was a gentle hazing tradition, maybe still is, where upper- class students would tell first-years to go find the Glass Tomb.  There really is one, once you figure out the joke.  

The cemetery never played heavily in my childhood fantasies though, so I don't mind the new fence (Mom does).  On this side, I'm walking through a windbreak of evergreens that are so tall and dense you can almost stay dry in a rain storm here.  An owl had a nest here for many years, but I can't tell if she's still here.  I stop to visit the tiny grave of Morton Bisp.  For reasons unknown to me, this little tombstone for a child who died before his sixth birthday (in 1953), is separated from the cemetery, one lone stone that didn't make it onto the other side of the fence.  I assume he was buried on college property on purpose.  

Now I'm at the top of the sledding hill, the place we always came as kids.  If you could see this shallow little valley with its two modest peaks, you'd realize just how midwestern my upbringing was.  I remember the rides down being quite satisfying, right up until I was thirteen or so, but when I look at it now, I laugh.  I know it's still used that way by faculty kids.  The family dog before I was born, the first Fang, loved riding on sleds.  We tried to get Lilly, the dog I grew up with, to try it but it never appealed to her; she liked running along side barking better.  This was also a good rolling hill in the Summer, and you could get some pretty good speed up for that.  Once after seeing me do it, Lilly gave it a try, but her legs kept getting in the way.  She learned that she liked the feeling however, so from then on her walks usually included rolling blissfully in very clean grass.  Dew-covered grass was her favorite, so we think she may have been bathing.  She always kept herself very clean.   

At the top of the other hill there is a bronze statue honoring Mary Dyer, a Quaker hanged on Boston Common for preaching in defiance of the Puritan authorities.  She's seated, looking at her hands.  As a kid, I would climb up to sit in her lap, but that no longer seems appropriate, since her hands would now be cupping my ass. Behind her is Stout Meetinghouse, where I went to Sunday meeting from birth through college.  I find the building quite beautiful (though that isn't supposed to matter to Quakers), with its white-washed walls, long dark wooden benches and windows looking out on grass and trees in three directions.  I check the holly bush on the east side.  I don't remember the actual superstition, but I have a vague recollection of it being beneficial to bring holly into the home on the Winter Solstice, so I've brought clippers and a plastic bag for the purpose.  This bush has no berries though, so I check out the one behind Stout to the south.  Much better in the berry department, but I'll have to come back; my walk is only just begun, and I'd rather not have to carry a bag of spikes for the next half hour.  

I sit down on Dan Kinsey's Bench, a granite monument to a former teacher and coach.  I still feel the lack of the old honey locust tree behind it, gone now for ten years.  It always kept this bench cool in the Summer, and I would spend hours lying here, looking up through the leaves.  

I had an epiphany once, sitting on this bench.  As a kid I was as dismissive of my hometown and its boring terrain as anyone; I only saw beauty in mountains, lakes, the ocean, at least some dramatic hills.  This flat land had nothing to recommend it, as far as I was concerned.  Then when I was fourteen, my family spent three months living in London, and traveling all around the UK and Ireland.  I wasn't all that fond of London (it made me feel claustrophobic), but I drank in the scenery of the Lake District, and the west coast of Ireland.  It felt like I got into a new habit of seeing, and when I got home this habit stayed with me.  I sat down on this bench soon after we got back, looked over the playing fields, the far side of the bowl that held the football field, the horse pasture and farmland off in the distance, the big, clear blue sky... and suddenly it was breath-taking to me.  It was as if I was seeing this view for the first time.  I still crave mountains, lakes, rivers, oceans, big hills, but since that day I feel an expansive sense of well-being whenever I'm in a Midwestern landscape.  Here in New York, I have to make sure I go someplace with a wide vista at least once a week, to regain a sense of calm.  

Moving on, I walk across the two playing fields (where Fang runs her joyous figure-eights), heading towards the old stables where I took horse-riding lessons as a teenager.  This was another of the perks of being a faculty brat.  This is my archetypal image of a horse stable.  It's low, painted red, with Dutch doors at the entrance.  Inside there is a row of stalls and two boxes for horses that needed more space or sequestering.  An open area once stored hay, and housed a dynasty of barn cats that helped keep the rat population down.  At the other end is the tack room.  I have vivid memories of being in there, cleaning my saddle and bridle along with my teacher and classmates, all of us glad to be huddled in the one warm room in the place.  In my memory it's alway snowy, rainy or dark when I'm here, which doesn't make any sense, since we took classes on Saturday mornings in the Fall and Spring... but the memory is still cozy, friendly, and for some reason makes me think of John Steinbeck.  

Having been replaced at a new location, these stables are no longer in use,  and are looking pretty decrepit, so I'm just as happy not to see inside.  Besides, I've arrived at the entrance to the real magic of this walk.  

The stables sit on the edge of a deep gorge that contains a small creek.  These are MY woods.  A set of beams carved out steps down into the magical place.  Walking here today, I'm struck for the first time by how perfect it was to have this path be so tucked away and hidden, flanked by the stables on one side, and the tree fence of the grave-yard on the other.  It couldn't look more like a secret entrance.  It makes perfect sense I turned this place into Narnia, Middle-Earth, Mowgli's jungle, and the hunting grounds of the Fianna.  

The steps have fallen out of use, so they're overgrown with brambles. The main path down now is the one that used to be only for the horses when we went on trail-rides.  For the sake of tradition though I force my way through the first bush, and realize the rest of the steps are still fairly clear.  At the foot of the steps, the path forks.  I take the right-hand path heading west.  I pass the old log where I could often find a six foot bull snake sunning itself on warm days.  I find it noteworthy that the log still seems to look the same, since it must have been decomposing for at least 30 years.  Looking at the trees on either side of me, I realize for the first time that they're mostly slender, and surrounded by undergrowth.  There are some grand old trees with massive trunks, but they are few and far between.  At an unconscious level, I think I always thought of this as the forest primeval, but recognize now that it must be less than 200 years old, perhaps much less.  I wonder how I'll be able to find out more about its history.  Europeans were settling and farming here in the early 1800s and would have farmed every inch of land they could clear.  This area was probably last choice, since it's so steep, rocky, and uneven, but it's unlikely it was left untouched.

When I was a kid, though, this was the great wilderness; the old memories take me over, and once again I am Finn MacCool, Cuchulain, Mowgli, Legolas and a Miami Indian Chief.  One of my great-grandfathers was American Indian, and as I kid I was absolutely fascinated by this.  We never learned what tribe or nation he belonged to, since one day he simply walked out on my great-grandmother; Dad says she was a bitch with oak cluster, which may have had something to do with it.  Like a lot of kids (and no few adults) I romanticized this man, desperately wishing at times that I could be ALL Indian -or at least look a little bit like one.  In my woods I would try to walk without being seen or heard by my animal quarry or any white men.   I occasionally found some arrowheads, which helped the fantasy.  I still have one of them sitting on my dresser.  I'm not sure we ever even knew this man's name, I'll have to ask Dad.  Maybe someday we'll learn something about him.  Dad's side of the family consists mostly of questions.  

The path forks again, and I take the upper one, which brings me out to a ledge overlooking the creek.  In front of me is a huge black pipe that stretches across the shallow water about twenty feet in the air.  This, and two other pipes in the woods, used to annoy me.  I'd be desperately trying to create the illusion of being far from civilization when boom, here'd be one of these damn reminders that I was still surrounded by it.  After I saw Planet of the Apes though, I'd pretend that these pipes were all that was left of an ancient culture that had destroyed itself, leaving the world to return to a state of wild beauty.  That helped.  It wasn't unusual to find grocery carts abandoned here, which was all the more mystifying since the closest store was a good half-hour's walk away, at least half the walk over grass and mud. I could never figure out why someone would work that hard to make something look so ugly, not yet being familiar with the concept of under-age drinking.   That's still the only explanation I'm able to come up with.  

The black pipe was also where I was more likely to run into other kids, not always friends, because crossing on it was a popular test of daring-do.  One kid broke his arm falling off it, but that's the only accident I can remember hearing about.  Some graffiti on the pipe lets me know it's still a fairly popular destination with someone.  Off to the southeast lies the white pipe, which is both wider and lower to the ground, so crossing it was less daunting.    

Standing on my ledge, I can survey pretty far.  I ignore the grave yard looming behind me, and look up and down Clear Creek.  When I was a kid, the name of this stream was distressingly ironic, since a local chemical company was dumping waste in it further upstream.  Along with giant pipes and grocery carts, I had to ignore dirty foam build-up and algae in the water.  That is one thing that has improved in recent years though, due partly to stricter enforcement but probably mostly from the company going out of business.  I still wouldn't drink this water, but I think it's doing less damage to the local fauna now.  A few years ago I saw a great blue heron here, winging its way silently when I startled it.  That was encouraging.  

I walk down the hill to the creek's edge, and head downstream.  The bed has changed a little since I was a kid, at least one ox-bow now being a straight channel, but over all it looks more or less the same to me.  In past winters I've been able to walk along the frozen creek itself, rejoicing in the musical burbling up from the air holes, but today is too warm for that.  What was a clear path when I was a kid is almost gone now.  At times I'm not sure if I'm following the old track or the previous bed of the creek.  I wonder why no one seems to wander down here any longer.  When my mom was a student at Earlham, she said no one ever came down here.  I was playing here unsupervised by the time I was six, if memory serves.  I'm at least a 30 minute walk from my parents' house, and out of sight of any other building or area where there are likely to be crowds.  As a kid this was one of the biggest draws of the place, but I wonder if people would see it as too dangerous now.  Or maybe fewer kids these days want to go bushwacking, preferring to stay glued to their computers and video games.  That just doesn't seem likely though.  Kids don't change that much; they still want to have secret hide-outs don't they?  Well, if they do, maybe they're finding them elsewhere.  

I come out at a fairly wide path.  This part of the woods is where the college biology department has been conducting a number of experiments.  When I was a kid, I could stand here and look across a fairly large space that had been planted with saplings.  Now I can only see about two feet in front of me, the saplings having become a tall forest.  Thirty some years, yup.  It's almost twenty since I graduated from college.  Yipe.  There are occasional pink ribbons tied to trees as markers for students, but I don't know what they signify.  The study is watching how forests form, seeing what changes and shows up as the place ages.  Though I can't remember when it happened, there was a point when the appearance of this robust forest took me by surprise.  Maybe I hadn't come this far into the woods for a few years, so the jump was more drastic.  That doesn't sit with my memories, but is the only logical explanation.  

Now I take the path that loops around and through this place.  I pass blackberry canes, now bare of leaves and fruit, glowing purply-white against the greys and browns of the rest of the woods.  Fang's immediate predecessor, Sybil, was fond of blackberries, and would even delicately pick them herself, though she found it much easier to beg them from Dad.  

In the spring the whole campus is blanketed with violets, one of my seasonal markers, and down here, just a few weeks after the purple ones come out, fields of white violets show up.  That has always been one of the reasons I found this place magical as a child.  Somehow those flowers felt like secrets, or evidence that unusual forces were at work.  

Up a short steep (for Indiana) incline, and I'm at another biology experiment, the big pond.  This went in my senior year of college, but it so captivated me that it got woven into my childhood fantasy seamlessly.  I've always loved water, have at times wished I were amphibious -when I wasn't wishing I was a wolf, a Miami Indian, or the half-Sidhe hero of Ulster.   This pond is particularly ripe for fantasy-making, since it was constructed with an island in it.  It sits at one end of the long thin pond, near a large gap in the trees that were created so birds like ducks and geese, which need a runway to take off, would be willing to land here.  Almost the minute the pond was finished, a pair of Canada Geese showed up, raised a brood, and took off again.  Each Spring I now wait for my family to tell me the geese have arrived, how many goslings they hatched, then what day they all disappeared.  We try not to think about how many of the goslings probably stayed behind, in the gullets of snapping turtles.   Turtles gotta eat too, I guess.  Today I startle a small creature of some kind as I come up.  I never get a really good look at it, but am pretty certain it's a muskrat.  This feels like an especially nice omen, since I've never seen one here before.  Where do these creatures come from?  

I swing around the pond, and come out between two more biology experiments; on one side is the meadow, on the other is the prairie.  It's astonishing how distinct they are from one another, separated only be a six-foot wide strip.  The prairie side gets burned every few years, so that probably helps.  In the summer this area is swarming with flocks of goldfinches, and butterflies. Tony the entomologist has taught Mary and me how to identify the sex of Monarchs, along with a lot of other fun information.  Who knew we'd all become so interested in bugs someday?  

At the edge of the meadow is the school observatory; Indiana is not a good place for serious star gazing, because it's hazy and rainy so much of the year, but when I took astronomy my first year, I got to see several planets in clear detail through this telescope.  Saturn was the most beautiful.  Across another set of playing fields is Brick City, a whole development of ugly single story red-brick buildings that are used as housing for visiting professors, grad students, and anyone else who chooses to live here.  Because of the observatory, all the streetlights nearest are shielded on this side, to cut down on the light pollution.  

Then I visit the smaller, older pond that went in sometime while I was in high school.  As with the larger one, fish, frogs and other animals simply showed up here almost as soon as the pond filled with water.  I believe their eggs were transported by bird guano, but there is still something magical about the apparent spontaneous generation of life that water causes.   

Now I'm on the paved road, looking at the old horse-pasture, and on the other side of the bowl, the back side of the college campus.  When I was a student here, whenever things seemed particularly overwhelming, I would take a walk out here and look at the school.  Somehow seeing it all from a distance like this helped me regain perspective most of the time.  Years later I found myself doing the same thing as I road the bus home to Jersey, and looked across the Hudson at Manhattan.  Seeing it all contained and distant like that, my blood-pressure would drop immediately.  

The former horse pasture now houses the ropes course and a huge community of voles.  My family calls it the heath, and Fang is fond of vole-hunting (and crunching) when we let her run here.  I cut diagonally through it and arrive at Firefly Lane.  This is the name my family gave this narrow corridor of greenspace that runs behind the backyards of College Avenue, alongside the heath.  It earned this name one summer when the firefly population was particularly huge, and all the trees here looked like they'd been festooned with Christmas lights.  After some attacks, safety required thinning out a lot of the trees to improve visibility, so the Christmas light effect has never been repeated, but the name stuck.  At either end it is blocked off by horizontal wooden beams, to dissuade anyone from driving a car through here.  In the early 80s, some students went joy-riding down this greenway, then back to their residence in Brick City.  I believe drinking may have been involved.  The next morning the head of security followed the black, muddy tracks to their door, and came in for a chat.  After a brief silence he started mildly "You boys lack discretion."  I know all this, having heard the story from the driver, now a good friend and a well-loved, tenured member of the faculty.  

Now I head up the bowl, returning to get my holly.  I make sure to leave some berries, while still getting enough for both Laceyland and Hazelthorne.  After this the walk is more or less complete,
the sites all visited.  I'm struck by how much things have actually changed since my childhood, and how little it bothers me.  Right after I graduated from college, I was more ruffled by such things.  On visits back I'd accompany Mom, Dad, and Sybil on the afternoon walk, and feel disgruntled at any change in the route.  It was like I was some cranky, hide-bound anthropologist telling the natives how they were supposed to observe their traditional rituals.  Now I'm much more pleased by the evidence of change in my school and my family; it shows that life goes on, and no one is getting frozen in place.  My sister is one of the senior faculty on campus now.  Dad is long since retired, and off saving the world in other settings.  Mom and Fange still take their two daily walks, visiting their tree friends and vole-hunting grounds.  Life keeps growing and changing.  It feels good.  I know this terrain is not to everyone's taste, and even if they like it, they don't see what I see.  My place is as much one of imagination as it is grass and trees.  I once showed Brian my walk and he was a very good sport about it, but he couldn't possibly have seen what I was seeing.  His secret havens, most of them in Cape Breton, are by objective standards spectacularly beautiful, so even if I wasn't seeing what he was, I still fell in love with the place.  This place is much more a cultivated taste, I know.  I know too though that this will always be home for me, in some primal, archetypal way.  

Wednesday, January 02, 2008

Chloe at Christmas: Some Pig

 Meet Chloe the pig.  I took the photo on a digital camera my roommate was discarding after an upgrade, and to my astonished delight, I was able to download (or is it upload?) the photos I took to my computer.  Then I was able to put it on blogger.  I am positively giddy at my new-found recording and displaying skills.  Yes, the rest of the world has moved on to making short movies online, but let me enjoy my achievements for a bit.  

Christmas is a hard time of year for my mother.  Mostly this is due to her upbringing as a Quaker Iowa farm girl, believing that wretched excess was wasteful, perhaps even sinful, and too many possessions meant you were taking more than your share.  Then she met and married my father, who grew up dirt poor, and has celebrated his liberation from that by buying presents for loved ones on any occasion he can think of.  My sister once summed things up by saying "In my head, Dad's voice says 'get a dozen, just in case;' Mom's voice says 'we'll eat the rest tomorrow." I think they've been a good balance to one another over the years this way.  Mom made sure they had a spotless credit rating, retirement funds and happy home, Dad made sure they had a good time, occasionally getting Mom a little drunk if necessary.  This is not to say the balance is serene and steady.  There is a constant jockeying and debating, usually pretty noisy, but they even seem to enjoy that.  It's all good.  Mary, James and I take after Dad more than Mom though when it comes to gift giving and holidays.  We love getting things, we love giving things, and we ignore Mom's regular pleas that we not get her anything, or that we get her nothing but stamps (boy, does she love stamps).  We try to tone things down for her a bit, but when push comes to shove, we suit ourselves and ignore her Scrooge-ocity.  The pile of loot has only gotten bigger since Tony joined the family.  In fact he and Mary might even give Dad a run for his money in the over-doing sweepstakes.  (As a side-note, did you know the word 'galore' comes from the Irish go lour, which simply means 'enough'?  I think that says it all; what the Irish considered sufficient, the Anglo-Saxons considered extravagance.)  I think Mom's distress at all this conspicuous consumption is genuine, not feigned, and while she's gotten more adept at rolling with it over the years, being seriously outnumbered, I think she would still prefer that Christmas morning didn't always end up with a pile of wrapping paper bigger than a buick sitting in the middle of the floor with Fang and Cleo romping in it.  

Which brings me to Chloe.  You see, one day Mom, Dad, Mary and James were out somewhere together (I was living in Seattle at the time), possibly visiting one of the 'antique' (junk) shops the next town over, when Mom saw this giant cement pig.  We knew she loved pigs (farm girl, remember) and was always happy to get calendars, cards and such with them, but nothing prepared anyone for Mom deciding she wanted to buy this pig.  Having her spontaneously ask for something, for no reason, was behavior we all want to reinforce enthusiastically, so the four of them loaded up all 160 lbs of cement pig into the car, then placed her at the front door, where she has stood cheerful sentry ever since.  

But that isn't the only reason she represents unusual behavior on Mom's part.  You might have noticed that Chloe is wearing a hat.  A Santa hat, to be specific.  This is not her only festival garb, either.  And those fuzzy ears?  Those were not her original ones.  At some point, for reasons we can't quite fathom, someone broke off and stole her cement ears.  Dad was still teaching at the time, so maybe they represented some kind of dare trophy for some of his students.  In any case, Mom rose to the occasion by cracking out Chloe's Easter wear -a set of bunny ears-  and bending them down for what we all agree is a pretty good approximation of her previous look.  

Not living there year 'round, I'm not sure I've seen all of her ensembles.  I know she wears a scarf when it's cold, she has a pair of shamrock deely-bobbers for St. Patrick's Day, and I'm pretty sure she has a new set of bunny ears for Easter, though they may have been replaced by a bonnet.  There may be a Puritan bonnet for Thanksgiving, I can't quite remember.  I'll have to ask Mom.  

This is not the sort of thing Mom normally does.  This portrait of her may make you think she's a whimsical, cutesy little person, given to covering the house with china kitties and portraits of children with big eyes, but such a picture would be wildly inaccurate.  She's as funny and silly as the rest of us, but I feel like this pig is something else.  It's hard to sum up any single person, and probably harder still when it's one's mother, but if I had to choose one adjective to describe her, it would be 'scrappy.'  Mom, at 71, is spry, fit, still climbing on the roof to clean the gutters, still doing most of the easy plumbing in the house, still walking six miles a day with the dog, still cooking three meals a day for anywhere from two to six people.  As a wedding present, she and James replaced the roof of Mary's and Tony's garage porch.  She is a voracious reader and news hound, sharp and better informed on current events than I am, and, like Dad, she is always trying new things just 'cause.  I think that's part of what keeps both of them so vibrant.  

She is also the first to say she can be a bit cranky.  She calls herself Scrooge at this time of year.  "I hate people," she'll casually mention in a conversation at dinner, usually when we're talking about somebody's inanity.  It's not true, only it sort of is.  Family members and some friends all have free passes of course, as does almost any dog, cat, or, apparently, pig, but most people only get one chance to piss her off.  We're not really worried that she might become a shut-in, but it's fair to say Mom is a no nonsense kinda gal.  

Which makes the costuming of a giant cement pig in front of her house all the more wonderful.  Not even the loss of Chloe's ears (and seriously, what the hell?) has deterred her.  Outside observers may disagree, but I'd say none of the Laceys are big on whimsy, or cute, and if any of us were, the last person would be Mom, but here is Chloe, representing some silly, playful,joyful impulse.  We all really love this pig, her outfits and what they represent.  

I'm not sure where I'm going with this, what I'm trying to say about Chloe and her place in Mom's life.  I don't mean to suggest Mom is a humorless misanthrope (whatever she might claim); that portrait would be just as inaccurate as the precious Midwestern housefrau.  Bottom line is, I'm always delighted when I see Chloe (and yes, Mom named her); each time I walk up to my parents' front door, I greet her, and chect to see what she's wearing that day.   

Thursday, December 20, 2007

Peanuts and Prayer


I thought at first that writing yet another entry about Fang would be weird; I'm so pathetic I can only talk about dogs, and not even ones I own.

But I got over it.

When we gather for meals, we hold hands briefly at the start for a few minutes of grace (Quaker version). Early on in her arrival, Fang identified this as something she needed to be a part of, so when we do it, she comes to the circle, usually between my seat and Mom's and agitates until we each put a hand on her. Often we'll each take an ear. She'll sit quietly until we all say amen, then is back to her active campaign for attention and or scraps. I don't know what she thinks this ritual is for, but she seems clear on two aspects at least in her own world; 1) everyone is supposed to be touching, and 2) everyone is still and quiet for the duration.

Unless it's peanut butter day. Then all bets are off. Today was peanut butter day. Some time ago, when Mom and Dad had dinner guests, they tried a dog training trick by filling up a rubber dog toy, called a kong, (it looks like a red rubber ziggurat, I don't know how else to explain it; well, I do, but I'm not going to) with peanut butter which the dog then happily licked out, her focus laser-like, her attention unwavering, thus staying shut away from less dog-enamoured guests without moaning and complaining.

This procedure proved to be very effective, but they didn't know just how much she was going to fall in love with the taste. The next time they had peanut butter for lunch, Fang was singing, dancing about, generally being more importunate than she usually is. James was the one who figured it out. When he picked up the kong, she went into conniptions ("finally the stupid bi-peds are catching on!"), and a weekly ritual was born.

It starts as soon as she smells the peanut butter on the table. We all try to get her to bring the kong to the table, but she just runs back and forth between the two, showing us where it is, and where she'd like it to go, until Mom gives up and gets the damn thing. She has us very well trained, does Fang. Once it's filled she happily works away at it, holding it with her paws in such a way that it looks like she's trying to develop opposable thumbs. She almost always gets seconds, because then she WILL bring the kong to the table but usually not until she's tossed it about exuberantly a few times. For those unfamiliar with this toy, it's main point for being is the fact that when you throw it, it's hard to anticipate how it's going to bounce, so it's a great way to exercise dogs who like to fetch. Fang seems to find this feature entertaining, or she's aware of how hysterical we find it, especially Dad. Lots of joyful tossing of the head, juggling the kong in her mouth, throwing it randomly around the room, she often looks like she's performing. Dad calls it the floor show. When he came out of the hospital after a double by-pass, this was his first meal of non-hospital food, and it was just what he needed, meal and floor show.

Since she eventually does bring it to the table, and we're trying to get her to do that more regularly, she gets rewarded with seconds. This is one of the many little routines of family life I look forward to when I come to visit.

The weather is oddly warm today, and is going to hit 50 degrees tomorrow, so all the snow will be gone. Then I'll just have the greys and browns I love so much about Winter here. I love this land the way I love sparrows and chickadees. They're little birds, not particularly brightly colored, easily over-looked, but I love them. I love the flashier birds too, just as I adore mountains, lakes, forests and rivers, but this flat land, the distant horizons, the quiet browns, blacks and greys have charms all their own.

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