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A man in large black glasses and a black button-down shirt smiles with a tilted head in a black and white photo.
A few of the artist’s favorite “brutally toxic yet undeniably sentimental tales”
A graphic with two Artforum postcards on a lavender background with the word "POSTCARDS" in the bottom left
“In his then-response, one already sees the text deprived”
Matthew Linde in Artforum's studio.
The New York-based critic walks us through his review of Sofia Coppola’s recently released Marc Jacobs documentary
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Current Issue
“To lament time’s march or enjoy the moment? Nilsson’s maximalist dreamworlds offer the possibility of both”
“I can still hear her whispering and then suddenly singing Verdi out loud—Nabucco, her favorite”
“The immediacy of Polaroid picture-making predicted the digital snapshot of our time, the memory machine at its most omnivorous”
Marc Kokopeli, Times Square Alliance Playset (detail), 2025, digital video (color, sound, 9 minutes 15 seconds), LCD cabinet, LED screen, resin, fabric, mixed media, 36 5⁄8 × 60 5⁄8 × 31 1⁄2″. Photo: Graysc.
Videos
Meg Webster in Artforum's studio.
The Minimal artist shares her love for ecological systems and cites her most important teachers from Donald Judd to Michael Heizer.
Louise O'Kelly, Mark Leckey and  Christelle Oyiri on SXSW London stage.
Events
Together with moderator Louise O’Kelly, the artists explore the relationship between club culture and contemporary art.
Joan Snyder in Artforum's studio.
New York-based painter Joan Snyder highlights what (and who) brought her to art making.
Reviews
Toyen, Střelnice (Shooting Gallery), 1939-46, twelve drawings and prints, 12″ × 15 3/8″ each.
Following the pioneering Czech Surrealist from Prague to Paris
View of “Rubem Valentim: a ordem do sensível (the order of the sensible)”, 2026. Photo: Matheus Freitas.
A retrospective in Rio reveals an art that is porous and charged with symbolism
View of “Nina Porter: Sample Question,” 2026. Floor, from left: Ash (or ash to the plastic number), 2026; Ash (or ash to the plastic number), 2026; Ash (or ash to the plastic number), 2026. Wall: horse and linen, 2026.
In sculptures and photographs, the British artist puts matter into motion
View of “Michael Armitage: The Promise of Change,” 2026.
In his largest European show, the Kenyan British artist contends with the masters
📺 Info Siaran: Match Update & Schedules - Jadwal Siaran Langsung
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